![]() The fact that they messaged this by exploring their own heritage only makes it more potent. In the individual looks and in the collection as a whole there was timely symbolism, a sartorial acknowledgment from a brand that has been charged with cultural insensitivities in its own past, that in this time of global crisis we are stronger together-that this is a moment for unity and bonding, not coming apart. “From this comes the uniqueness of each piece.” But this wasn’t just a tribute to the talented craftspeople behind the clothes. “The important thing to us is that each piece is interpreted by skilled hands, one after the other, and in that way each has its own character, its own story, its own passion, its own vision,” said Dolce. Like their crochet collection of last February-which looks more and more prescient in the rearview mirror-this one puts the emphasis on fatta a mano, on Italian craftsmanship. ![]() There’s no way around how hard this COVID-19 year has been for fashion brands-from creative leads and CEOs on down to patternmakers and seamstresses. No hippie flashback, this outing was attuned to the present day. That long-ago collection was inspired by the bohemian 1970s, a popular reference in the early ’90s. In that video recording, Dolce and Gabbana remembered a 1993 show in which they used similar patchworking techniques, only for different ends. “We’ve treasured everything that they have brought to us,” Gabbana added. “Given our long experience being inspired by Sicily, we wanted to tell of all that you can find on an island like this, the different cultures that dominated, from the Spanish to the Arabs the Normans,” said Dolce, who was born and raised there. The hashtag #DGSicilianPatchwork further spelled out the season’s theme, which the designers elaborated on in a video message. The short clip revealed that the Metropol, D&G’s longtime show venue, had been transformed with bright collages of print-runway, walls, benches, and all. Then along came Domenico Dolce and Stefano Gabbana, who decidedly did not.Īn Instagram post set the scene for those of us watching from home. It was as if this city-one of the earliest and hardest hit by the pandemic, though cases are mostly holding steady now-collectively settled on minimalism as the way forward for spring 2021. The Milan shows started today, each one with an opening look in a different shade of white.
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